{"id":25,"date":"2024-06-08T11:41:35","date_gmt":"2024-06-08T11:41:35","guid":{"rendered":"https:\/\/movingpictures.nl\/?page_id=25"},"modified":"2024-06-17T08:59:38","modified_gmt":"2024-06-17T08:59:38","slug":"remote-collaboration","status":"publish","type":"page","link":"https:\/\/movingpictures.nl\/en\/remote-collaboration\/","title":{"rendered":"Remote Collaboration"},"content":{"rendered":"

“An independently operating EDITOR, on a private AVID\/RESOLVE set, with a fast fiber-optic connection and at competitive rates.<\/em><\/strong>“<\/p>\n\n\n\n

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Initially trained at the Film and TV Academy in Amsterdam, as a screenwriter, director and film-editor, it was the latter specialization that led to the first successes. And also later, in other functions, editing was usually done in-house, which made it very well possible to adjust quite organically with all technical developments. From traditional editing on 35 mm celluloid, through all forms of analogue and digital video, to finally non-linear editing on AVID, DaVinci and beyond.<\/strong><\/p>\n\n\n\n

And now, back to the original nest; REMOTE EDITING.<\/em> With a complete AVID Media Composer \/DaVinci RESOLVE set and a powerful fiber-optic connection. The main branch, where most editing is done, is located in Medan, Indonesia. In addition, there are also two \"Support Stations\" in Amsterdam and Bussum, where assistance can be provided and where also analogue data can be processed. This means that the processing analog material or video tapes still remains possible.<\/p>\n\n\n\n

Remote Editing can be provided through a client server, using software like \u201cTeamviewer\u201d, \u201cParsec\u201d or \u201cReal VNC\u201d, but an attractive option also is through our own equipment, using DaVinci REMOTE COOPERATION.<\/em> Video-material can be delivered using a service like \u201cWeTransfer\u201d, or of course on a disk using a standard courier service. Through zoom sessions and the regular viewing of the various versions, details can be discussed and together we go for optimal Story Telling of each project, whether it\u2019s documentary, commercial or fictional.<\/p>\n\n\n\n

When editing streamed Reality projects, the six-hour time difference is an additional advantage. The pre-assemblies can then be ready when morning breaks in Europe. VOORMONTAGES \/ COMPOSES <\/em>kunnen dan klaarliggen als het ochtend wordt in Europa.<\/p>","protected":false},"excerpt":{"rendered":"

“zelfstandig werkende EDITOR, op eigen AVID\/RESOLVE set, met een snelle glasvezelverbinding en tegen concurrerende tarieven“ Aanvankelijk dus opgeleid aan de Film en TV-academie in Amsterdam als scenarist, regisseur en editor. Het was de laatstgenoemde specialisatie die als eerste de kassa deed rinkelen. En tijdens het uitoefenen van andere functies, werd ook meestal zelf gemonteerd, waardoor vrij […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_joinchat":[],"footnotes":""},"class_list":["post-25","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/movingpictures.nl\/en\/wp-json\/wp\/v2\/pages\/25","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movingpictures.nl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/movingpictures.nl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/movingpictures.nl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movingpictures.nl\/en\/wp-json\/wp\/v2\/comments?post=25"}],"version-history":[{"count":10,"href":"https:\/\/movingpictures.nl\/en\/wp-json\/wp\/v2\/pages\/25\/revisions"}],"predecessor-version":[{"id":233,"href":"https:\/\/movingpictures.nl\/en\/wp-json\/wp\/v2\/pages\/25\/revisions\/233"}],"wp:attachment":[{"href":"https:\/\/movingpictures.nl\/en\/wp-json\/wp\/v2\/media?parent=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}